- Type/ Sequencer
- Width/ 28HP
- Power/ +70/-10mA
- Depth/ 15mm
The Z8000 is a versatile and compact modulation source package based on ten separate sequencers which share 16 potentiometers. When you combine the sequencer rows with each other interesting and living sequences can be generated. If you turn one potentiometer, this can affect all ten sequences!
/Four 4 step CV sequencers on the horizontal.
/Four 4 step CV sequencers on the vertical.
/One 16 step CV sequencer on the horizontal.
/One 16 step CV sequencer on the vertical.
- Type/ Mixer
- Width/ 10HP
- Power/ +14mA/-14mA
- Depth/ 36mm
MIXZ is a low cost analog multi-channel mixing module for mixing audio, CV and gate signals with an excellent linear response and low noise. balancing a clear visual layout and multiple mixers in a small footprint makes the MIXZ easy to use in a variety of configurations within the modular synth. Its high quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth organic merge of dynamics, and excellent separation of mixing sections and channels. MIXZ has three sections:
Mixer A – a low noise 4 channel mixer with independent gain control per channel
Mixer B – a low noise 4 channel mixer with master gain control
Bus mix – a multi channel mixer that mixes signals from modules utilizing the tiptop bus mix
Mixer A and B can be configured as either two independent 4 channel mixers or as a single 8 channel mixer. If the output of mixer a is not in use, then mixer A will be routed internally to mixer B forming the 8 channel mixer.
TipTop bus mix is a new method we have developed to mix audio signals through the eurorack power bus board without patch cables, a little bit of magic ahh? Although this technique doesn't stand for a low noise mix, we found it to be useful for some applications including the mixing of our drum modules, which all have a bus-mix enabled output. the result is that all your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch, saving you the time and cables to repatch sounds again and again, while keeping the channels of MIXZ’s mixer A or B free to bring other signals into the mix. combining the bus mix with mixer a and b, the MIXZ can sum dozens of channels in only 10HP.
Download the MIXZ manual HERE
This product is being manufactured or shortly avalilable in overseas.
Shipping in 14-28 days. Contact for more infoContact
- Type/ Filter
- Width/ 8HP
- Power/ +20/-20mA
- Depth/ 42mm
The Z2040 is a discrete clone of the Prophet 5`s low pass filter with come additonal features like voltage controlled gain and resonance. The gain parameter allows for overdriving the filter.
Voltage controlled, 24dB/octave steep, 4-pole lowpass filter based on the original US patent of the SSM2040 filter chip from Sequential Circuits' Prophet 5 Rev2.
FM is the cutoff modulation parameter with a voltage controllable modulation depth (VC-FM)
The gain is adjustable and until the 1h position (marked with “0dB”) the filter is pretty smooth but above that the sound gets more and more overdriven. A VCA pre-filter makes the gain voltage controllable; alternatively you can route the VCA post-filter with a jumper.
audio: input and output
CV inputs for cutoff (FM), cutoff modulation depth (VC-FM), gain and resonance
- Type/ Envelope
- Width/ 8HP
- Power/ +34/-18mA
- Depth/ 28mm
Very snappy ADSR type envelope generator with a CV proccessor that can scale the envelope signal, add an offset to it, mirrot and invert it. All four time and level parameters can be voltage controlled and the attack pameter´s characteristic is switchable.
The attack, decay and release potantiometers are scaled in a special way: the first 50% of the knob´s rotation are used for finest adjustment of very short envelope times from miliseconds to one second. This is useful to create snappy envelopes with minimum times without popping or clicking sounds. The rest of the knob´s rotation controls times from one second up to the minute range.
Attack, Decay, Sustain and Release can be controlled with voltages from 0V to 5V. The ATK switch selects between an exponential and a logarithmic attack curve. The Shoot button allows you to fire the envelope manually.
The voltage processor at the output has several functions. The Attenuverter attenuates and/or inverts the output voltage. The voltage controllable Deviator adds a static positive or negative offset voltage to the envelope. By combining those
ameters you can mirror the envelope or clip it. A bicolor LED indicates whether the envelope is in negative or positive voltage range.
Gate input, Retrigger input, envelope output.
CV inputs for attack, decay, sustain, release and the deviator parameter
Download de Z4000 VC-EG manual here
In stock. Shipping in 24 H.Contact
- Type/ Drums
- Width/ 4HP
- Power/ +13mA/-6mA
- Depth/ 36mm
Introducing the BD808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine. Its small simple, minimalist design, and modern production methods have allowed up to bring the world's most famous bass drum sound generator back at a very low cost The real thing is here again.
The BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay – all without compromising the signature sound of the TR-808.
A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.
Download the BD808 manual HERE
In stock. Shipping in 24 H.Contact
- Type/ Voice
- Width/ 14HP
- Power/ +50/-25mA
- Depth/ 26mm
The Z3000 is an innovative, intelligent all-analog Voltage Controlled Oscilaltor with an integrated tuner, linear and exponential FM, two sync methods and waveshaping on the sine wave. A proven and tested classic!
VCO with arithmetic processor that analyzes the frequency once per second.The display shows the current frequency – depending on the chosen mode the VCO frequency is shown as frequency in Hertz, note value or octave range. The external audio input offers the ability to use the arithmetic processor for tuning other VCOs.
Of course, the Z3000 has manual and voltage controlled pulse width modulation and the waveforms sine, triangle, pulse and sawtooth.
Besides the hard sync input for synching the VCO using square or sawtooth waves there is an additional Hard Sync Modulation input (HSM). This will not only accept any waveform but any audio signal which will modulate and distort the waveforms of the synchronised Z3000.
Additionaly there are 3 FM inputs, two exponential and a linear one. The CV inputs FM2 and Linear FM share a common attenuator. Frequency range of the Z3000 is 0.7Hz – 30kHz.
The version 2 is now built with SMD components and thus it´s PCB is very flat (pcb parallel to the faceplate). By the use of modern transistors the tracking got much more exact. The sawtooth now sounds a bit better and there´s a new feature: VC waveshaping on the sine and triangle wave! It blends from “trashy sawtooth” to sine/triangle.
CV inputs: 1V/oct, Hard Sync, Hard Sync Modulation, PWM, FM1, FM2, linear FM, waveshaper CV input
audio input: external in (tuner input)
oscillator outputs: sine, triangle, sawtooth, pulse
- Type/ Effect
The “Dragonfly Delay” cartridge gives you the following eight delays:
/mono delay with lowpass filter on feedback /stereo ping-pong
/stereo delay with independent delay times per channel
/stereo delay with independent feedback settings per channel
/3-taps stereo delay with 25% feedback /3-taps stereo delay with 75% feedback /stereo in/out polyrhythm
/mono in/ stereo out polyrhythm
This card with eight delay effects is supplied with every new Z-DSP. Here you can order it a s a replacement part in case your “Dragonfly Delay” card is defective or if it was not included in your 2nd hand Z-DSP.
- Type/ Effect
Cartridge for the Z-DSP containing eight chorus effect which beautifully thicken and animate the sound, from slow and genlte modulations to fast wobbles. They are superb for converting mono to stereo or a stere widening. Due to the different feedback possibilities of the Z-DSP impressive drones can be created which are stereo and have a specific chorus touch.
The eight algorithms are inspired by various classic, analog chorus effects.
1/Dual Chorus 2/Dimension
4/6 Voice Chorus
6/Diffuse Chorus 7/Random Chorus 4 Voice 8/Tri Stereo Chorus