Bat Filter
Bat Filter

 

  • Type/ Effect

 

Card with additional filter programs for TipTop Audio ́s Z-DSP module. Contains eight different voltage controllable digital filters.

FEATURES

/Program 1: Dual Stereo 8-Pole Low Pass filter /Program 2: Dual 8-Pole Band Pass
/Program 3: 4-Pole High Pass / Low Pass in series /Program 4: 4-Pole High Pass / Band Pass in series /Program 5: 8-Pole Triple Band Reject (notch filters) /Program 6: 8-Pole High Pass / Band Reject in series /Program 7: Stereo Resonator: a unique, dynamically varied structure of filters

/Program 8: Stereo 8-Pole High Pass Filter with Stereo Spread control

*Cartridge for the Z-DSP from Tiptop Audio!

 
Download the Bat Filter manual HERE
 
 
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Dragonfly Delay
Dragonfly Delay

 

  • Type/ Effect

 

The “Dragonfly Delay” cartridge gives you the following eight delays:

/mono delay with lowpass filter on feedback /stereo ping-pong
/stereo delay with independent delay times per channel

/stereo delay with independent feedback settings per channel
/3-taps stereo delay with 25% feedback /3-taps stereo delay with 75% feedback /stereo in/out polyrhythm

/mono in/ stereo out polyrhythm

This card with eight delay effects is supplied with every new Z-DSP. Here you can order it a s a replacement part in case your “Dragonfly Delay” card is defective or if it was not included in your 2nd hand Z-DSP.

*Cartridge for the Z-DSP from Tiptop Audio!
 
Download the Dragonfly Delay manual HERE
 
 
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Blank Cartridge
Blank Cartridge

 

  • Type/ Effect

 

Blank memory card for TipTop Audio ́s Z-DSP. For writing programs on the card you need the TipTop Audio Numberz, though.

The Z-DSP blank cartridges are rewriteable memory cards for use with Numberz and the Z-DSP with up to one million write/erase cycles. These cards are made of printed circuit board material with two memory chips soldered on their bottom side providing a low cost non volatile memory of Z-DSP programs and display data.

*BLANK CARTRIDGE for the NUMBERZ and Z-DSP from Tiptop!
 
 
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Numberz
Numberz

 

  • Type/ Effect
  •  

    Writing your own programs is possible with the software Spin ASM (for Windows only) which you can download direcly from Spin. All other information, manuals and examples can be found at TipTop Audio ́s product page. See links section at the bottom of the page.
    Numberz contains the USB device, a USB cable and three blank DSP cards.

    With Numberz you can:

    /download free DSP programs from the web and “burn” them into cartridges
    /modify existing programs for new and interesting effects

    /write and debug Z-DSP programs in a real-time environment
    /share your programs online with other Numberz users

    /share your programs on Z-DSP cartridges with other users
    /create your own text for the Z-DSP display
     
     
    Will be ordered on request.Contact

169,00  Add to cart
MIXZ
MIXZ

 

  • Type/ Mixer
  • Width/ 10HP
  • Power/ +14mA/-14mA
  • Depth/ 36mm

 

MIXZ is a low cost analog multi-channel mixing module for mixing audio, CV and gate signals with an excellent linear response and low noise. balancing a clear visual layout and multiple mixers in a small footprint makes the MIXZ easy to use in a variety of configurations within the modular synth. Its high quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth organic merge of dynamics, and excellent separation of mixing sections and channels. MIXZ has three sections:

Mixer A – a low noise 4 channel mixer with independent gain control per channel
Mixer B – a low noise 4 channel mixer with master gain control
Bus mix – a multi channel mixer that mixes signals from modules utilizing the tiptop bus mix

Mixer A and B can be configured as either two independent 4 channel mixers or as a single 8 channel mixer. If the output of mixer a is not in use, then mixer A will be routed internally to mixer B forming the 8 channel mixer.

TipTop bus mix is a new method we have developed to mix audio signals through the eurorack power bus board without patch cables, a little bit of magic ahh? Although this technique doesn't stand for a low noise mix, we found it to be useful for some applications including the mixing of our drum modules, which all have a bus-mix enabled output. the result is that all your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch, saving you the time and cables to repatch sounds again and again, while keeping the channels of MIXZ’s mixer A or B free to bring other signals into the mix. combining the bus mix with mixer a and b, the MIXZ can sum dozens of channels in only 10HP.
 
Download the MIXZ manual HERE
 

 
 
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BD808
BD808

 

  • Type/ Drums
  • Width/ 4HP
  • Power/ +13mA/-6mA
  • Depth/ 36mm

 

Introducing the BD808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine. Its small simple, minimalist design, and modern production methods have allowed up to bring the world's most famous bass drum sound generator back at a very low cost The real thing is here again.

The BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay – all without compromising the signature sound of the TR-808.

A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.
 
Download the BD808 manual HERE
 
 
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BD909
BD909

 

  • Type/ Drums
  • Width/ 8HP
  • Power/ +34mA/-21mA
  • Depth/ 36mm

 
The BD909 is a recreation of Roland's TR-909 analog bass drum sound generator
adapted for modular synthesizer use. The front panel contains all of the controls found on the original TR-909 drum machine, allowing you full control over the sound’s volume levels to mix with other drums and accent levels, decay tune and the envelope attack and decay segments. In addition to those original controls we have also added new controls, further enhancing this legendary sound generator.

Features
  • Output Level – 0 – 10V
  • Original 909 Attack control
  • Extended 909 Decay control for more umphhh
  • New controls for the oscillator tuning:
  • Attack tune
  • Decay Tune – these two will have an effect on each other which makes it really cool
  • Global Oscillator Tune control – this sets an offset for the oscillator, sets the starting frequency for the envelope
  • VC-Tune with attenuator (can go over a wide range)
  • Overload knob – might not be everyone's cup of tea, what it does is overload the sine shapers which adds harmonics and some extra punch, it's an aggressive effect.
  • VC – Overload – Can be CV or even audio
  • Accent in – can be with a pulse or CV 0 – 5V
  • Accent Attenuator
  • Gate in

 
Download the BD909 manual HERE
 
 
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SD808
SD808

 

  • Type/ Drums
  • Width/ 4HP
  • Power/ +18mA/-16mA
  • Depth/ 33mm

 
Introducing the SD808, part of our new series of drum modules that brings analog percussion to the modular synth world, instantly turning your system into a self-contained music machine.

The SD808 is the TR-808’s analog snare drum circuit adapted for use in Eurorack modular synthesizer format and was designed to sound like a fresh-out-of-the-box, 1980s TR-808 snare. Adapting the circuit to the modular format has allowed us to add special features like independent accent levels, a high-powered gain stage, a dual-input pulse-shaper, and an adjustable noise source – all without compromising the signature sound of the TR-808 snare drum.

The SD808 sounds tight and extremely snappy because it’s analog – the real thing, not samples. The sound is made with three analog sound generators mixed together: two oscillating sine waves and a noise source. The SD808’s front panel controls have a lot of sweet spots with sounds that are not just limited to snare drum sounds; it can also create other electronic percussive elements.

The noise source generator in the original TR-808 machines were revised in later production batches, resulting in variations in sound across the production run. The SD808 uses this later, revised circuit to create a snare drum hit that is slightly darker, has more body, and is more realistic. Just like other drums in this series, the SD808 includes a high-powered output gain stage capable of producing signals up to 20Vpp, allowing you to get an array of harmonized snare drums sounds with even tighter attacks. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the SD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
 
Download the SD808 manual HERE
 
 
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HATS808
HATS808

 

  • Type/ Drums
  • Width/ 8HP
  • Power/ +30mA/-25mA
  • Depth/ 36mm

 
Introducing the HATS808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808’s real analog Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a fresh machine coming out of the assembly line back in the 80’s. The adaptation to modular format has allowed us to add some special features per each voice such as independent accent levels, high-powered gain stage, and dual-input pulse-shaper. A filter Q knob and VC-Q were added on top of the main band pass filter to allow tuning the sound but also to get crushed tone and self oscillation at the knob’s max position — all this without compromising the original signature sound of the TR-808.

The HATS808 sizzling sound is made by six analog square wave oscillators mixed and process by band pass filters. This multi-oscillator design is what gives the 808 Hi-Hats their unique metallic noise character and also makes each HATS808 sound slightly different from one another. The original ‘choke’ circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each input, we have designed a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source. All these features provide for integrating of this amazing legendary sound generator into your modular synth with ease, unleashing the power of real analog drums.
 
Download the HATS808 manual HERE
 
 

179,00  Add to cart
HATS909
HATS909

 

  • Type/ Drums
  • Width/ 8HP
  • Power/ +33mA/-22mA
  • Depth/ 36mm

 
Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's. Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provide anything from crushed hats and short ticks to the original sound and anything in between. A modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like other drums in the series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.
 
Download the HATS909 manual HERE
 
 
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CP909
CP909

 

  • Type/ Drums
  • Width/ 4HP
  • Power/ +6mA/-10mA
  • Depth/ 36mm

 
The CP909 is Roland's TR-909 analog clap sound generator adapted for modular synthesizer use. The front panel contains all of the controls found on the original TR-909 drum machine, allowing you full control over the sound’s volume levels to mix with other drums, and accent levels. In addition to those original controls we have also added the unique TRASH knob, further enhancing this circuit.

The CP909 is a one-to-one clone of the original circuit found in Roland's TR-909 drum machine. During the design phase, we created additional features only when implementation would not compromise the original signature sound, or add excessive costs. Cloning a circuit that was designed and produced in the 80's was not an easy task. A variety of obstacles including availability of the original parts, the modern SMT manufacturing process, the differences in +/-12V Eurorack power versus the +/-15V of the original 909, and far many more were addressed in the creation of this module. To learn more about the process of remaking the sound generators in this series please refer to the BD808 user guide.
 
Download the CP909 manual HERE
 
 
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RS808
RS808

 

  • Type/ Drums
  • Width/ 4HP
  • Power/ +14mA/-13mA
  • Depth/ 28mm

 
The RS808 is the TR-808’s analog Rimshot and Clavs sound generator in Eurorack format. It’s a low-cost module that brings back that classic sound, but with even more variation and control, continuing to expand your Tiptop Audio modular drum machine.

The RS808 comes with two switches that give a total of 4 different positions: two are the classic Rimshot and Clavs sounds as found on the original, and two are unique to the RS808 module adding a range of snappy “click” sounds the circuit is capable of producing. Two control knobs were added, each have different effect for the selected sound. In general, these controls can be categorized as Pitch and Snap as they control the frequency of the oscillator and decay of the envelope generator. The RS808 is an exact reproduction of the original circuit which sounds like a fresh machine coming off the assembly line back in the 80’s.

Compatible with all the other drums in this series, the RS808 includes a hot modular level output gain stage capable of producing signals that can be easily distorted if desired. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the RS808 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module ensuring the same stable sound at peak power, regardless of your pulse source. These distinctive features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
 
Download the RS808 manual HERE
 
 
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MA808
MA808

 

  • Type/ Drums
  • Width/ 4HP
  • Power/ +16mA/-14mA
  • Depth/ 33mm

 
The MA808 is the TR-808’s original analog Maracas drum voice and a white noise generator in Eurorack format. It’s a low-cost module that brings back that classic sound, continuing to expand your Tiptop Audio modular drum machine.

The MA808 is a must have sound with its fluffy, harmonically rich presence that greatly enhances the dynamics of Hi Hats sounds in the groove. The Attack control knob can turn the sound from a sharp edged Hi Hat and up to a slow rise exponential attack Maracas sound; a dot on the scale indicates the original 808 set position. The MA808 also provides the continuous analog white noise generator of the 808 machine: a full spectrum of harmonics ideal for use as a starting point for patching your own drum sounds or for general use of white noise. The MA808 is an exact reproduction of the original circuit which sounds like a fresh machine coming off the assembly line back in the 80’s.

Compatible with all the other drums in this series, the MA808 includes a hot modular level output gain stage. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the MA808 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module ensuring the same stable sound at peak power, regardless of your pulse source. These distinctive features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
 
Download the MA808 manual HERE
 
 
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Toms909
Toms909

 

  • Type/ Drums
  • Width/ 16HP
  • Power/ +120mA/-100mA
  • Depth/ 50mm

 

The TOMS909 is a recreation of Roland's legendary TR-909 analog Tom drums sound generator for use in modular synthesizer format. The TOMS909 includes all the original controls found on the TR-909 drum machine, as well as several new features never before available, such as extended TUNE range and independent voltage control for accent and tune/pitch on each drum. There are three independent Tom drum sounds, starting from the left with the Low, Mid, and High, Tom; each Tom drum section gives you full control over the Toms’ volume Level, Accent, Decay, and Tune levels. On the right side of the module is a voltage control section with a voltage control input for each Tom drum and an accompanying attenuator knob for scaling the incoming voltages, as well as a MIX OUT for summing the three drum sounds.
 
Download the manual HERE
 
 
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CYMBL909
CYMBL909

 

  • Type/ Drums
  • Width/ 8HP
  • Power/ +60mA/-40mA
  • Depth/ 30mm

 

The CYMBL909 is a dual voice module featuring the original TR-909 crash and ride sound generators adapted for modular synthesizer use. The front panel contains all of the controls found on the original TR-909 drum machine, allowing you full control over the sound’s volume levels to mix with other drums, and accent levels. In addition to those original controls we have also added manual and voltage control of each generator frequency, further enhancing this circuit.
 
Download the CYMBL909 manual HERE
 


 
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CB808
CB808

 

  • Type/ Drums
  • Width/ 4HP
  • Power/ +8mA/-8mA
  • Depth/ 36mm

 
The CB808 is the TR-808's analog cow bell sound generator in Eurorack format. it's a low-cost module that brings back that classic cow bell tone and continues to expand your tiptop audio modular drum machine.

Just like the other drums in this series, adapting the circuit to the modular format has allowed us to add some special features like pitch modulation, LFO (with control over rate and depth), independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper – all without compromising the signature sound of the TR-808's spacey cow wow.

The CB808 sound is generated by two square wave oscillators that go through band pass filtering and then get mixed together. it's a simple analog circuit with a very cool output. what makes the 808 cow bell sound so well known is that it doesn't feel constant, but rather slightly spacey. the internal pitch-modulating LFO that we added takes this effect even further, but stays within the bounds of the 808 sound, keeping it very musical and easy to play with.

Compatible with all the other drums in this series, the CB808 includes a high-powered output gain stage capable of producing hot signals that can be easily distorted if desired. on the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the CB808 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. this eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. all these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
 
Download the CB808 manual HERE
 
 
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99,00  Add to cart