Black Octasource
Black Octasource

 

  • Type/ LFO
  • Width/ 12HP
  • Power/ +82mA/-44mA
  • Depth/ 25mm

 
Erica Black OCTASOURCE is, what we want to believe, the LFO carried to its extremes.

It features one of 8 waveforms available on 8 outputs phase shifted by 45 degrees OR all 8 waveforms simultaneously on all outputs. Furthermore, waveform selection, phase shift and LFO rate are CV controlled, and the rate can be synched to an external clock signal.

Features:

LFO with manually and CV controlled rate
Manual selection of phase shift direction
8 simultaneous outputs
Synchronization to an external clock
LFO freeze function
8 waves with morphing between them
Phase shift, wave select and FM CV
Bipolar output signal level LEDs
Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. The Erica Black series are a range of modules that together make an entire synthesizer.
 
 
Download the Black Octasource manual HERE
 


 
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AVert
AVert

 

  • Type/ Utility
  • Width/ 2HP
  • Power/ +9mA/-5mA
  • Depth/ -mm

 
AVert is a dual attenuverter. Each channel offers the ability to attenuate and invert any input signal. The signal present at channel one is normalled to channel 2, allowing for two unique output signals from a single input. Get Inverted.

– Dual attenuverter
– Attenuates and/or inverts any input signal
– Normalling behavior offers two unique outputs for a single input
– Center detented pots provide tactile feedback for 0V
 
 
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Comb
Comb

 

  • Type/ Filter
  • Width/ 2HP
  • Power/ +87mA/-28mA
  • Depth/ 47mm

 
Comb is an IIR peaking comb filter with control over cutoff frequency, resonance that can be driven into self oscillation, and a dampening filter in the feedback path.

An incredibly short, tuned delay line will alter the character of your input by imposing harmonic peaks on the source. Subtle settings can result in thickening timbres, reminiscent of phaser-like effects, while more extreme settings can create lustrous string sounds from white noise, or tear your waveform to shreds.

Explore new sonic territory with Comb.

– Comb filter
– Capable of self oscillation
– Feedback path dampening filter
– Infinite impulse response topology
 
 
Download the Comb manual HERE
 

 
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Contour
Contour

 

  • Type/ Envelope
  • Width/ 8HP
  • Power/ +38mA/-17mA
  • Depth/ 24mm

 
Contour is a 4 Stage function generator, or ADSR, derived from our 0-COAST synthesizer. It is designed to create control voltages to drive the Dynamix, modDemix and other fast VCAs, VCFs, and more.
 
The Contour takes inspiration from the original Loudness Contour circuit of the MiniMoog, which is perhaps the most well-known example of East Coast Synthesis. The simplified control set (where Decay adjust both the decay to Sustain and the Release) makes it quick and intuitive to set-up.
 
The Contour module adds full voltage control, a mirrored output, End of Onset and End of Contour Gate outputs which allow it to be highly integrated into any modular synthesizer regardless of coastal allegiance.
 
 
Download the Contour manual HERE
 


 
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DynaMix
DynaMix

 

  • Type/ Mixer
  • Width/ 10HP
  • Power/ +55mA/-45mA
  • Depth/ 24mm

 
DynaMix is a fast two-channel Low Pass Gate, dynamics manager and mixer, the core of which is derived from our 0-COAST synthesizer. The LEVEL parameter provides simultaneous voltage control over the Amplitude and Frequency content of audio signals, operating as a VCF/A.
 
The DYNMC parameter allows for using audio as a control voltage. It accepts audio signals and converts them into a signal that may increase or decrease the LEVEL parameter thus allowing for side-chaining and ducking.
 
The summing section is complete with an AUXiliary INput allowing for the chaining of multiple MIX units (modDemix, Optomix and RxMx modules) to create large, non-centralized mixes.
 
 
Download the DynaMix manual HERE
 


 
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Morphagene
Morphagene

 

  • Type/ Sampler
  • Width/ 20HP
  • Power/ +165mA/-20mA
  • Depth/ 30mm

 
The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.
 
A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.
 
 
Download the Morphagene manual HERE
 


 
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Switch
Switch

 

  • Type/ Envelope
  • Width/ 8HP
  • Power/ +34mA/-18mA
  • Depth/ 28mm

 
Switch is a voltage controlled signal router that is great for audio and CV signals. With four inputs and one output, it is ideal for dynamically moving between four disparate elements.

The active channel can be selected manually, or with CV, allowing for versatile and esoteric results. Whether creating unique modulation patterns or entirely new audio splices, Switch will take your patching to the next stage.

– Four inputs, one output signal router
– Great for audio, control voltage, or gate signals
– CV over active channel
– Low noise and extremely fast channel switching
 


 
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Unity
Unity

 

  • Type/ Mixer
  • Width/ 2HP
  • Power/ +10mA/-6mA
  • Depth/ -mm

 
Unity is a dual unity mixer with two sets of three inputs. Its versatile normalling behavior allows it to function as a six-to-one mixer, or two three-to-one mixers. Three modes of operation provide ideal behavior for audio, control voltage, or both.

Averaging Mode allows the user to mix audio signals without losing their relative loudness. Unity Mode is great for mixing control signals in situations where you want to add vibrato to a sequence, or create a chaotic modulation source out of LFOs and envelopes. Split Mode sets each channel to a different mode, allowing for mixing CV on one channel and audio on the other. Unite your system with Unity.

– Dual unity mixer
– Six-to-one, or two sets of three-to-one functionality
– Averaging mode for audio signals to retain relative loudness
– Split mode allows for CV on one channel, and audio on the other
 
 
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SD909
SD909

 

  • Type/ Drums
  • Width/ 8HP
  • Power/ +35mA/-30mA
  • Depth/ 43mm

 
The SD909 adapts the iconic TR-909 snare drum and noise generator for use in the Eurorack modular synthesizer format. We painstakingly tested the module in our lab to sound like a fresh machine coming off of the assembly line back in the 80s. On top of the original circuit, we have added new features that expand the palette of what can be produced with this analog circuit.

The sound of the SD909 consists of two main sections: the binary noise generator and two modulated triangle oscillators. The oscillators provide the low end punch while the noise makes up the upper sonic spectrum, resulting in a combination that makes the 909 snare sound so rich. In the SD909 module the noise generator and oscillators are variable and voltage controlled, which pushes the circuit beyond its original boundaries offering new sounds as well as many variations of the original tone. The panel has markings to guide setting the knobs to reproduce the snare sound of the vintage machine.

Just like the other drums in this series, the SD909’s high-powered output gain stage allows further enhancement of the sound through distortion and clipping. We have designed a dual pulse-shaper circuit on each gate input so you can trigger your SD909 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. Also, the SD909 is equipped with access to the MIXZ MixBus matching the rest of the Tiptop line of percussive modules.
 
Download the SD909 manual HERE
 
 
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¡Oferta!
ADSR mkII (B-stock)
ADSR mkII (B-stock)

 

  • Type/ Envelope
  • Width/ 6HP
  • Power/ +20mA/-10mA
  • Depth/ 37mm

 
he Pittsburgh Modular ADSR is a four stage envelope generator with independently adjustable Attack, Decay, Sustain, and Release stages. This module does one thing amazingly well. The ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages.

The functionality of the ADSR is simple. The incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the attack determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. Decay sets the amount of time needed to transition to the level set by the sustain knob. The sustain level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The release knob sets the time needed to close the envelope and return the ADSR output to 0 volts.
 
 
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Cursus Iteritas
Cursus Iteritas

 

  • Type/ Oscillator
  • Width/ 10HP
  • Power/ +80mA/-5mA
  • Depth/ 38mm

 
Cursus Iteritas is an oscillator that works from a dynamically generated wavetable. It gives the user spectral-like controls over three different modes based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets, and Walsh mode, using the Walsh transform. Cursus Iteritas parametrizes a wide variety of sounds, but because the sounds are all based off of orthogonal functions, it has a musical tone structure and can produce an extremely wide variety of harmonic sounds.

Cursus – series, from Latin cursus “series”

Iteritas – repetitiousness – from Latin itero “repeat” with suffix -tas “state of being”

“a series of of repetitiousness”
 
Download the Cursus Iteritas manual HERE
 


 
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Extra Mullet
Extra Mullet

 

  • Type/ Utility
  • Width/ 6HP
  • Power/ +50mA/-10mA
  • Depth/ 25mm

 
Combining buffered multiple.

– Extra – from Latin extra for “more”

– Mullet – for a sexy, stylish haircut

“supremely stylish”
 
Download the Extra Mullet manual HERE
 


 
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Fold Processor
Fold Processor
Fold Processor

 

  • Type/ Wave Folder
  • Width/ 12HP
  • Power/ +60mA/-55mA
  • Depth/ 42mm

 
The Fold Processor is a voltage controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from the standard sine, triangle, sawtooth and square waves, has a dedicated output jack and CV input with an attenuator making it very easy to create beautifully animated folding sounds. Adjustable voltage controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.
 
Download the Fold Processor manual HERE
 
 
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Freez
Freez

 

  • Type/ Looper
  • Width/ 2HP
  • Power/ +95mA/-27mA
  • Depth/ -mm

 
Freez is a voltage controlled locked looper. It captures moments of audio in buffers, where they can be minced and mangled beyond recognition. Once frozen, adjusting size will cause pitch and timbre changes to the locked audio.

Adjusting the sample rate control will distort and decimate the incoming audio as well as warp the time domain of the currently locked buffer. From beat repeat to granular audio buffer, Freez will create new sounds and textures out of any input signal.

/Voltage controlled locked looper
/Sample rate up to 96kHz
/Buffer size ranges from microseconds to 3 seconds long
/Beat repeat
/Bit crusher
 
Download the Freez manual HERE
 
 
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Horologic Solum
Horologic Solum

 

  • Type/ Clock
  • Width/ 4HP
  • Power/ +50mA/-5mA
  • Depth/ 28mm

 
Horologic Solum is a 4HP master clock with a built in divider. An input jack allows it to be synced to an external clock; when the internal clock is in use, this jack serves as a CV input. HS includes three tempo modes and three divisor modes (divide by powers of 2, by odd numbers, or powers of 4).

Horologic – Discrete time; from Latin horo “time” and Latin “logic”: “Logical time”

Solum – Live usage; from Latin “ground”: “sequence”

Uter – Either; from Latin uter: “Choice of”

Horologic Solum: “Logical, Live, Discrete Time”

Horologic Uter: Division of Logical Time”
 
Download the Horologic Solum manual HERE
 


 
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Horologic Uter
Horologic Uter

 

  • Type/ Expander
  • Width/ 4HP
  • Power/ Horologic Solum
  • Depth/ 28mm

 
Horologic Uter is an optional expander that offers an extra seven outputs at fixed, musically useful, divisors.

Horologic – Discrete time; from Latin horo “time” and Latin “logic”: “Logical time”

Solum – Live usage; from Latin “ground”: “sequence”

Uter – Either; from Latin uter: “Choice of”

Horologic Solum: “Logical, Live, Discrete Time”

Horologic Uter: Division of Logical Time”
 
Download the Horologic Uter manual HERE
 


 
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