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• Type/ Oscillator
• Width/ 10HP
• Power/ +80mA/-5mA
• Depth/ 38mm

 
Cursus Iteritas is an oscillator that works from a dynamically generated wavetable. It gives the user spectral-like controls over three different modes based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets, and Walsh mode, using the Walsh transform. Cursus Iteritas parametrizes a wide variety of sounds, but because the sounds are all based off of orthogonal functions, it has a musical tone structure and can produce an extremely wide variety of harmonic sounds.

Cursus – series, from Latin cursus “series”

Iteritas – repetitiousness – from Latin itero “repeat” with suffix -tas “state of being”

“a series of of repetitiousness”
 
Download the Cursus Iteritas manual HERE
 

• Type/ Voice
• Width/ 20HP
• Power/ +150mA/-5mA
• Depth/ 29mm

 
Loquelic Iteritas Percido is an extension of the original Loquelic Iteritas. Like Loquelic Iteritas, it is a digital VCO with interpretations of three
classic synthesis algorithms involving dual pitch control parameterized by four tone controls. LIP adds an envelope that can be shaped and routed to pitches and tone controls, making it into a free-standing voice.

– Loquelic – speech – from Latin loquela “speech”

– Iteritas – repetitiousness – from Latin itero “repeat” with suffix -tas state of being”

– Percido – smash – from Latin percido “smash”

“smash speech oscillator”
 
Download the Loquelic Iteritas Percido manual HERE
 

• Type/ Mixer
• Width/ 6HP
• Power/ +50mA/-10mA
• Depth/ 25mm

 
Lunchbox mixer

– Xerest – here is; from Greek cherest

“here is”

– Pola – small; from Latin pollus

“here is small”
 
Download the Xerest Pola manual HERE
 
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• Type/ Mixer
• Width/ 12HP
• Power/ +50mA/-5mA
• Depth/ 26mm

 
Confundo Funkitus crossfades between two sets of four rhythms using probability. Three different probability curves can be selected to control the behavior of the crossfader. Per-part switch mutes are included with live performance in mind.

Connect up to four rhythm outputs to each of the two sets of inputs. Connect the outputs to modules that take triggers. Drums that take triggers are perhaps the easiest.

Toggle the Curve switch to the top position. If the crossfader is fully left, then only inputs on the left will create gates. If the crossfader is positioned in the middle, the Center light is illuminated the two rhythms are blended together: gates are generated any time either rhythm is played. If the crossfader is all the way to the right the gates generated come from the second (right-hand) set of inputs.

Between these extremes the produced rhythm is a combination of both sets of input weighted by the position of XFADE and which curve is selected.

– Confundo – blend – from Latin Confundo “to blend”

– Funkitus – agitation disease – from Flemish fonck “agitation” with suffix -itus from the Greek -itis denoting a disease

“blending agitation disease”
 
Download the Confundo Funkitus manual HERE
 
 
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