Links
Links

 

  • Type/ Utility
  • Width/ 4HP
  • Power/ +15/-15mA
  • Depth/ 28mm

 

Links provides 3 utility functions focused on signal distribution and mixing.

1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules – particularly VCOs.

2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.

3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.

A 2-color output monitoring LED is available for each of these functions.

Technical characteristics
  • Input impedance: 1M for the buffered multiple, 100k for the mixers.
  • All inputs DC-coupled.
  • Buffered multiple with low offset error.
  • 4-HP.
  • Current consumption: +/-12V: 15mA.

 
In stock. Shipping in 24 H.Contact

69,00  Add to cart
Veils
Veils

 

  • Type/ VCA
  • Width/ 12HP
  • Power/ +70/-70mA
  • Depth/ 10mm

 
VCAs are the cornerstones of modular patches: shaping the amplitude or timbre of a tone with an envelope, animating a mixture of several oscillators, controlling the amount of filter modulation with a random source or a touch controller, applying an envelope on the linear FM signal hitting an oscillator… are all possible uses of these super versatile building blocks. That’s why you never have enough of them. What about four more?

Veils provides four VCAs with an adjustable response curve. Veils’ outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.

Technical characteristics
  • All inputs DC-coupled.
  • All inputs handle audio-rate signals.
  • Input impedance: 100k for all inputs.
  • Gain scale: a +5V CV translates to a gain of 1 (0dB).
  • Gain range: 2 (+6dB) in linear operation, 10 (+20dB) in exponential operation.
  • 12-HP.
  • Current consumption: +12V: 50mA ; -12V: 50mA.

 
Download the Veils manual HERE
 
 
In stock. Shipping in 24 H.Contact

179,00  Add to cart
Blinds
Blinds

 

  • Type/ Mixer
  • Width/ 12HP
  • Power/ +90mA/-90mA
  • Depth/ 28mm

 
Blinds is a 4-channel voltage-controlled signal polarizer. Each channel consists of a polarizer circuit, also known as a four-quadrant multiplier. This circuit acts like a VCA, except that a negative control voltage will cause the output signal to be inverted, instead of being silenced. Blinds’ outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.

One can think of Blinds’ as a voltage-controlled version of Shades, the control center for all the modulation CVs used in a patch. Many other uses are possible, though. For example, each individual channel can be used to scale/offset a CV; and with audio rate modulation signals, each channel acts like a ring-modulator, with massive potential for drones and feedback patches.
 
Download the Blinds manual HERE
 
This product will be in stock soon. Shipping within 2-5 days usually.Contact

179,00  Add to cart
Elements
Elements

 

  • Type/ Voice
  • Width/ 34HP
  • Power/ +130/-10mA
  • Depth/ 25mm

 
Elements is a full-blown synthesis voice based on modal synthesis – an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.

Elements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback… or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank – an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes…) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.

All parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds – often beyond physical realism – but always well controlled and stable. The “dark spots” of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free – what you dial/patch is what you hear!
 
Download the Elements manual HERE
 


 
In stock. Shipping in 24 H.Contact

499,00  Add to cart
Clouds
Clouds

 

  • Type/ Voice
  • Width/ 18HP
  • Power/ +120mA/-10mA
  • Depth/ 25mm

 
Clouds is a granular audio processor – with a couple of twists.

Unlike granular sample players, Clouds is focused on the realtime granularization of incoming audio signals, and the acquisition of textures from them.

Classic controls such as grain position, size, and pitch are provided. Clouds can superimpose many grains simultaneously (at least 40, depending on the CPU used by its other features) and thus create thick textures. Control over texture density, independently of grain size, is thus provided. An external trigger input allows grains to be seeded in sync with LFOs or rhythmic generators.

To provide a richer variety of timbres, Clouds allows the shape of the grain’s envelope to be morphed – from sharp rectangular edges to a smooth bell curve. In addition, a diffusion network can further dissolve the edges of grains into blurry textures.

Finally, to cover various applications of granular synthesis without the need for additional modules, Clouds’ comes with four “blending” settings for mixing and re-routing its output signal: dry/wet balance, random panning amount, feedback amount, and reverberation amount. Voltage control over one of those four parameters is possible.

Clouds’ delay memory ranges from 1s to 8s depending on audio quality settings.

Other surprises have been packed in Clouds, including alternative looping delay and pitch-shift/time-stretch modes… and a very strange spectral buffer freeze/glitch.
 
Download the Clouds manual HERE
 


 
In stock. Shipping in 24 H.Contact

299,00  Add to cart
Braids
Braids

 

  • Type/ Oscillator
  • Width/ 16HP
  • Power/ +100/-15mA
  • Depth/ 26mm

 
Braids is a voltage-controlled monophonic digital sound source.

Sound source… like an oscillator? Not really.

Most of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators – that’s why we call it a macro-oscillator – intricate digital synthesis algorithms wrapped in oscillator’s clothes.

Each algorithm is controlled by two continuously variable parameters, Timbre and Color, both of them voltage controllable. Very often, these parameters simultaneously affect several dimensions of timbre, creating very complex movements which would be hard to generate with a traditional setup.
 
Download the Braids manual HERE
 


 
In stock. Shipping in 24 H.Contact

349,00  Add to cart
Rings
Rings

 

  • Type/ Voice
  • Width/ 14HP
  • Power/ +120mA/-5mA
  • Depth/ 23mm

 
Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids’ models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

  • Strings, membranes and tubes as modelled by Elements’ resonator section (modal synthesis).
  • Strings coupled together and vibrating in sympathy, with controllable intervals between them.
  • Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.
 
Download the Rings manual HERE
 


 
This product will be in stock soon. Shipping within 2-5 days usually.Contact

299,00  Add to cart
Grids
Grids

 

  • Type/ Drums
  • Width/ 16HP
  • Power/ +25mA/-1mA
  • Depth/ 26mm

 
Take the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you’ve got a drum pattern generator like no other.

Grids’ “brain” is a map of the typical drum patterns used in (mostly electronic) music, laid out by similarity, trained on a large corpus of drum loops. The module can smoothly interpolate and navigate from one pattern to the other, at the whim of a knob move or a CV.

But Grids’ knowledge of drum patterns goes far beyond what would be achieved with presets – given a position in the map, thousands of variations can be intuitively generated by controlling the “event density” of each of the 3 channels (bd, sd, hh) – gradually moving from a sparse backbone to a deliciously rich pattern with ghost notes, rolls and fills.
 
Download the grids manual HERE
 


 
In stock. Shipping in 24 H.Contact

199,00  Add to cart
Yarns
Yarns

 

  • Type/ Midi
  • Width/ 12HP
  • Power/ +60/-2mA
  • Depth/ 26mm

 
Yarns is a MIDI interface providing up to 4 channels of CV/Gate conversion, along with some MIDI note message processing features — including arpeggiator, euclidean sequencer, and a SH-101 inspired step sequencer.

Yarns provides 4 CV outputs and 4 Gate/trigger outputs, which can be assigned to up to 4 voices. In single voice mode, note, velocity, modulation and aftertouch (or other CC) CV are produced, along with a gate, a trigger, and a clock/reset output. In two voices mode, two channels of note, modulation or aftertouch CV are produced, along with two gates, and clock/reset outputs. Finally, in four voices mode, four pairs of CV/Gate outputs are provided.

The 2 and 4-voice modes are available both in a “polyphonic” and “multitimbral” flavour. The former receives chords from one single MIDI channel and dispatches them to the voices; while the later provides independent monophonic parts – which can be addressed to different MIDI channels, keyboard ranges, or even velocity levels. Various note priority modes (low, high, last) and polyphonic allocation schemes (voice-stealing, random, cyclic) allows you to fine-tune the CV/Gate conversion to your playing style. Each voice has a built-in digital LFO to interpret modulation wheel messages as a vibrato; can respond to pitch-bend messages; or can be smoothed with a glide/portamento control – no need for a dedicated module and patches to get the right response from a MIDI keyboard!

Each part can generate sequences either through an arpeggiator/euclidean sequencer combo; or with a SH-101 style sequencer with step-by-step recording, storing up to 64 notes. The module can sync to an external MIDI clock, and generate a clock/reset output at any subdivisions of the MIDI clock.
 
Download the Yarns manual HERE
 


 
In stock. Shipping in 24 H.Contact

299,00  Add to cart
Peaks
Peaks

 

  • Type/ Uility
  • Width/ 8HP
  • Power/ +60/-2mA
  • Depth/ 26mm

 
A SWISS-ARMY KNIFE FOR PERCUSSIVE PATCHES

Peaks provides 4 different functions in a small 8-HP package: ADSR, LFO / Tap tempo LFO, and drum synth.

Their common point? They are all about generating an audio or CV signal in response to a trigger, and are all focused on rhythmic works.

Peaks is a dual-channel module – making it very useful for duophonic patches or for controlling/synthesizing the kick/snare rhythmic backbone of a patch.
 
Download the Peaks manual HERE
 


 
In stock. Shipping in 24 H.Contact

169,00  Add to cart
Tides
Tides

 

  • Type/ Envelope
  • Width/ 14HP
  • Power/ +55/-5mA
  • Depth/ 26mm

 
Tides is all about waves that go up and down, from minute-long cycles to audio rates… This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.

The core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and “bounces” to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.

Tides’ advanced features include:

  • Output level CV input (digital VCA).
  • Dual outputs: standard unipolar waveform, and “double-shot” waveform with a positive spike during the ascent and a negative spike during the descent. At audio rate, both of them have a different sound.
  • Accurate V/Oct tracking with straightforward calibration procedure.
  • Freeze input to temporarily hold the waveform.
  • Clock input to lock onto a multiple or fraction of a trigger sequence… or audio signal, PLL-style

 
Download the Tides manual HERE
 
This product will be in stock soon. Shipping within 2-5 days usually.Contact

229,00  Add to cart
Shades
Shades

 

  • Type/ Utility
  • Width/ 6HP
  • Power/ +15/-15mA
  • Depth/ 20mm

 
Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.

A bicolor LED monitors the polarity and intensity of the audio or CV signal on each output.

Unconnected inputs are normalized to an internal precision voltage reference, which can produce either a +5V or +10V constant voltage.

Normalization on the outputs allows the module to be used as a mixer or offset generator: when no jack is inserted in an output, the signal from this output is summed into the next output. Combined with the internal voltage reference, this allows the module to be used as a CV offset control.

Patch examples
Mixing

When output 1 is left unconnected, the signal on output 2 is the sum of channels 1 and 2. Channel 3 can be used for another purpose (attenuation, attenuversion, or constant CV generation).

When output 1 and 2 are left unconnected, the signal on output 3 is the sum of channels 1, 2 and 3.

Offset generation

Leave channel 1′s input and output unconnected, and connect a CV source to channel 2′s input. Channel 2′s output will contain a scaled and offset copy of the input CV. Channel 1′s level knob will control the offset and channel 2′s level knob will control the signal scale and polarity.

Technical characteristics
  • Input impedance: 100k.
  • All inputs DC-coupled.
  • Low-distortion audio op-amps (LME49720) and thin film 0.1% resistors improve transparency in audio mixing applications, and allow exact unitary gains for precision summing of pitch CV signals.

 
In stock. Shipping in 24 H.Contact

99,00  Add to cart
Warps
Warps

 

  • Type/ Mixer
  • Width/ 10HP
  • Power/ +110mA/-65mA
  • Depth/ 26mm

 
Evolved from the oscillator mixing section of Mutable Instruments’ desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods – some of them emulating classic analog circuits, some of them purely digital – are provided by the module.

With Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness/harshness of the modulated signal.

Since many classic cross-modulation effects work best when the carrier is a simple waveform – for example, a sine wave for ring-modulation or a buzzing waveform for vocoding – Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V/Oct and supports through-zero FM, will replace the carrier audio input – freeing up one oscillator in your system for other duties!
 
Download the Warps manual HERE
 


 
In stock. Shipping in 24 H.Contact

210,00  Add to cart
Streams
Streams

 

  • Type/ Mixer
  • Width/ 12HP
  • Power/ +100/-30mA
  • Depth/ 26mm

 
Streams provides two channels of extremely flexible signal dynamics manipulation.

Each channel consists of an analog voltage-controlled filter and amplifier (VCFA). The response curve of the amplifier section is continuously variable from exponential to linear. The amplifier gain is directly controllable from a CV input, through an attenuator. But what makes Streams truly unique is the multi-purpose EXCITE input. The signal routed to this input is analyzed by a micro-controller and translated into internal control voltages for the VCFA, turning Streams into a very versatile signal contouring tool:

Envelope generator

The EXCITE input can work as a trigger input, triggering an internal AD or AR envelope routed to the gain and the filter cutoff (in variable amount). With only 6-HP of space, you can shape an oscillator or noise source into a full-bodied sound.

Vactrol curve generator

The EXCITE input is processed by a digital model of a resistive opto-isolator (Vactrol), controlling the gain and the filter cutoff (in variable amount). The digital emulation allows the modification of properties of opto-isolators – such as response time – which are otherwise difficult to control. The virtual vactrol response can be either optimized for processing CVs, or triggers (for “plucked” sounds).

Amplitude and frequency content follower

The envelope and cutoff of the EXCITE signal is measured, and applied to the signal on the VCFA input.
 
Download the Streams manual HERE
 


 
This product will be in stock soon. Shipping within 2-5 days usually.Contact

229,00  Add to cart
Frames
Frames

 

  • Type/ Mixer
  • Width/ 18HP
  • Power/ +90/-30mA
  • Depth/ 25mm

 
The heart of Frames is a 4-channel analog VCA under tight digital control. Through flexible input/output mixing and normalling options, it can be patched to serve the following purposes (among others):

  • 4-channel attenuator/VCA.
  • 4-channel mixer.
  • 4-channel programmable CV source.
  • Quadraphonic signal dispatcher.

But what makes Frames truly unique is the way in which channel/CV levels can be controlled, using a technique inspired by computer animation. Frames allows up to 64 configurations of the 4 level knobs to be stored and recalled throughout the course of its big Frame knob. By rotating the knob (or sending a CV to the Frame modulation input and adjusting its amount with the attenuverter), the configurations are morphed into one another.

To fine-tune the animation and get varied morphing or sequencing results, the following options are available for each of the 4 channel:

  • Easing curve (stepped, linear, exponential, logarithmic, sine, bouncy)
  • Attenuation response of the level knob, from linear to logarithmic

With a bit of patching and imagination, Frames can also be repurposed as a 4-channel sequencer, a multi-stage envelope generator or a trajectory generator for quadraphonic panning…
 
Download the Frames manual HERE
 


 
This product will be in stock soon. Shipping within 2-5 days usually.Contact

299,00  Add to cart
Ripples
Ripples

 

  • Type/ Filter
  • Width/ 8HP
  • Power/ +35/-35mA
  • Depth/ 26mm

 
Ripples delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments’ lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.

3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.

Self-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from “loudness drop” when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH/Jupiter filters, with a very round and “liquid” resonance.

The 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good “final stage” module for an inexpensive/space-constrained subtractive synthesis synth voice.
 
Download the Ripples manual HERE
 
This product will be in stock soon. Shipping within 2-5 days usually.Contact

169,00  Add to cart